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In terms of subject matter, I have and will continue to celebrate this album. The album is proud but honest, delivering a great unique Hip-Hop experience. More interestingly, over the course of the album they express the alienation that they felt growing up in Atlanta, the alienation that people living on the street feel in every day life, and the alienation that they still face within the music industry for doing things differently. The pair deliver otherworldly rhymes and rhythms over spacey beats, suggesting that they must be from another world to be as dope as they are. Obviously, Andre and Big Boi are both from Atlanta (abbreviated ATL) and have branded themselves as misfits, as evident by their group name “Outkast”, but the title goes a little deeper. ATLiens‘s title carries a number of meanings. That album was the cleverly titled ATLiens. Their 1994 debut Southernplayalisticadillacmuzik gained popularity off the success of single “Player’s Ball”, but their sophomore album 2 years later really saw the 2 come into their own. They may have been raw, but they were good, nonetheless. Both grew up in the East Point section of Atlanta, Georgia, developing their talents in rap battles at the cafeteria and getting signed to a record label before graduating high school. Better known as Outkast, today’s album pick showcases the talents of these 2 unique performers in one of their most celebrated works, 1996’s ATLiens.Īndre Benjamin and Antwan Patton, better known by pseudonyms “Andre 3000” and “Big Boi”, respectively, met and started working together in 1992 when they were both 16 years old. Hip-Hop as a genre is home to some of the most legendary musical duos ever, and among them are 2 guys from Atlanta called Andre and Antwan. As Hip-Hop evolved the rapper only duo became more and more popular as 2 people could trade off verses to bring new flows, perspectives, and tones to the same beat in order to keep the song from stagnating. and Rakim or Jazzy Jeff and the Fresh Prince making a show of the whole thing, together. Today DJ’s have been replaced by producers who cook up instrumentals in a studio to play back pre-recorded at the show, but the early days of Hip-Hop saw duos like Eric B. Initially, this came in the form of the DJ and the MC who would perform the beats and rhythm and poetry (or “rap”) at the same time. There’s no expiration date with our music.” -Antwan “Big Boi” PattonĮvery style of music has its form of the duo, but Hip-Hop had the synergy of 2 people baked into its DNA from the very beginning.
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You can pop that shit in right now and still knock it. We put it out, and that shit still stands the test of time. There’s a lot to process.“ We make timeless classics, whether it’s ‘Southernplayalisticadillacmuzik,’ ‘ATLiens,’ ‘Aquemini,’ ‘Stankonia’ or whatever it is. Enjoy them at your leisure, but the next time you fire up the album, be sure and go deep. (Bombs Over Baghdad)” to the deluxe version marking the album's 20th anniversary, along with a cappella versions of these songs. Jackson," "So Fresh, So Clean," and "B.O.B. Outkast is well aware of what Stankonia's singles mean to fans both diehard and casual, which is why they added remixes of "Ms. Stankonia’s sonics are built on fuzzy rock guitar and unendingly funky basslines directly descendent from Parliment-Funkadelic’s trippiest material, and it sounds as otherworldly decades later as it did when it was up against other chart-shaking, much more straight-ahead projects of 2000, like Nelly’s Country Grammar, Eminem’s The Marshall Mathers LP, and JAY-Z’s The Dynasty - Roc La Familia. Jackson,” and the snap-along funk of “So Fresh, So Clean,” what do casual fans actually remember about Stankonia?Ĭan they call out the alien synth warbles and fiery Killer Mike verse of “Snappin’ & Trappin’”? Do they remember the cacophonous beat switch for André 3000’s verse on “Humble Mumble”? Do they scrunch up their faces when they think of the hard-as-nails posse cut “Gangsta Sh*t”? Would their hearts sink if you were to bring up “Toilet Tisha”? Outkast had always gone their own way, but the album that would land them a KIDZ BOP rendition also has guest verses from steely rap veterans B-Real and Khujo Goodie, a song entitled “?” where Andre alone sounds off for a single fitful verse, and “I’ll Call B4 I Cum,” featuring the queen of Memphis hip-hop Gangsta Boo. (Bombs Over Baghdad),” the off-kilter balladering of “Ms. Stankonia’s singles were monsters, to be sure, but once you get past the apocalyptic frenzy of “B.O.B. The Aquemini follow-up catapulted the Atlanta duo from their status as the foremost spokespeople for Southern hip-hop to bona fide pop-culture celebrities whose reach and influence-though still very much rooted in rap-extended far beyond a single genre. You’d be hard-pressed to find a music fan who was around for Outkast’s 2000 opus Stankonia and doesn’t remember that album’s impact.